Build the opening.
I sourced U.S. Amateur photos and a logo, selected the music, and built a cinematic intro from the supplied drone footage. Speed ramps and a distinct color grade gave the opening its own feel.
EDITING & POST-PRODUCTION
Thousands of hours in Premiere Pro.
I’ve edited hundreds of videos, shaping long-form YouTube stories from rough cut through final delivery. I pair strong pacing and structure with precise color, sound, and graphics. I work quickly, collaborate closely, and can own an edit or guide another editor’s work.
01 / Sean Walsh
The complete edit, from footage to finish.
Sean’s team sent me the footage for a 36-hole golf match. I handled the full edit, from organizing the multicamera footage and sourcing supporting assets to building the cinematic opening and finishing the color, sound, and graphics.
Complete editing and finishing by me, using footage and graphics templates supplied by Sean’s team.
Make the cameras match.
I matched color and exposure across the ground cameras and drone footage so the match felt consistent as the edit moved between different angles and sources.
Keep the conversation clean.
I balanced the two lav mics, switching between them as needed to avoid doubled voices and echo. I mixed the music around the dialogue so the conversation stayed clear throughout.
Bring the graphics together.
I incorporated the team’s motion graphics templates and created ground and aerial tracers. I placed the tracers within the multicamera sequences so they stayed with the correct shots as I cut between angles.
Inside the edit
Organization that carries through the whole project.
Multiple cameras, dialogue tracks, music, graphics, and finishing all need to stay manageable. A clear timeline helps me move quickly while keeping track of the details.
Premiere Pro · Sean Walsh
02 / Good Good · Team editing
Ready to take on the edit. Ready to hand it off.
My primary role with Good Good is editing. I match the channel’s style, work independently, and incorporate the team’s feedback. Assignments range from substantial edits to specific sequences, with organized handoffs that help the team meet its release schedule.
Four stories happening at once.
For Amazing Golf Race, I synchronized footage from four groups, each with a main camera and GoPro, and brought in drone coverage. I shaped the parallel action and created graphics to help viewers follow it.
I brought the edit roughly 80 percent of the way to completion. Good Good’s team added the intro and completed the final tightening and polish.
A clean handoff across a series.
For a recent road-trip series, I handled the golf edits across multiple episodes. I organized hours of footage, synced the cameras using timecode, and built multicamera rough cuts with each hole clearly separated on the timeline.
The team could take those organized golf sequences and work them into the final episodes.
03 / The Goulet Pen Company
The details that make an edit feel effortless.
Some of the most important editing work goes unnoticed. I match color and exposure between shots, clean up distracting noise, balance dialogue and music, and smooth out cuts so the video feels consistent from beginning to end. Those details let the viewer stay focused on the story.
Keep the explanation clear.
This edit moves between Brian on camera, pens in hand, writing shots, stock footage, and simple graphics. Each change gives the viewer something useful to see while keeping the explanation moving.
Color grading · A closer look
See the difference finishing makes.
A Goulet frame before grading and with my final grade. Compare the contrast, skin tones, and color throughout the room.
Before gradingFinal gradeTwo shorter examples
Different ideas. Different editing choices.
A short piece or an opening sequence needs a clear direction quickly. These examples show how I combine footage, sound, and pacing to bring an idea together.
Random Golf Club
The Best Part of Golf
I combined interview footage, found footage, sound effects, and music into a short piece with its own rhythm. This is an editing style I enjoy: drawing from different sources and making them feel like one complete idea.
Matt Scharff
Build a strong opening.
The first 40 seconds establish the challenge, explain the stakes, and preview the payoff. Those choices give a new viewer a clear reason to keep watching before the video moves into the round.
Watch the first 40 seconds.
Team & workflow
Keep the work moving. Keep the standard high.
Premiere Pro · After Effects · Photoshop · Audition · Frame.io
Manage overlapping deadlines.
I’ve managed five or six recurring clients at once, each with its own reviews and publishing schedule. Organized media, repeatable workflows, and clear handoffs keep projects moving.
Work through feedback.
I use Frame.io to review notes and make revisions, balancing the creator’s voice, the team’s direction, and what helps the video work.
Guide another editor.
For HoneyBook’s podcast, I established the editing style and first episodes. Over two to three years, another editor handled much of the ongoing execution. I reviewed cuts and gave revision notes to maintain quality and consistency.
Bring the finish together.
My graphics work includes animated titles, adapting motion graphics templates, and Photoshop compositing, alongside careful color correction, dialogue cleanup, and sound design.